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Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.

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Kent du Pre has Origami Flower Instructions Pdf done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, nevertheless the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Bateau En Papier Qui Flotte Origami.

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Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities

and the other to avoid the complexities of a model achieved solely by folding.

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The trimming out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Art form. Origami Star Of David Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.

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In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has

recently been used and one can make sure of the materials remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The technique of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and we are approaching sculpture rather than Origami.

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Inside the most extreme combinations of water and document we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe simplest step from the single coloring is one side female and one white or plain. A great deal of modern Origami intrusions this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where Avion En Papier Planeur Youtube he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.

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The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the Avion En Papier Qui Vole Le Mieux Au Monde sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to symbolize some part of the creature and then brought collectively. The theory may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have came out for folding a dragon from a quantity of potager of different sizes.